BEST WORKS - AGENCY FOR BOOKING, STAGING & STAFFING

Mozambican-Danish singer, bassist, and composer Natalie Greffel delivers a delightful performance of her new single ‘O sol te faria bem’ alongside guitarist Carlos Corona. https://www.youtube.com/watch?v=nGOLOGgaNao Natalie Greffel was born in post-colonial Mozambique and raised in Denmark from infancy. After moving to Berlin in 2010 to attend a music conservatory, and while engaged in various projects that exercised her stylistic flexibility, Natalie felt an increasing disil

After a steady rise to international recognition through 2 LPS and several EP’s already since 2018, Zeitgeist Freedom Energy Exchange joins the Get Together family for their first recording session in Europe. “Prayer For Peace” — A 8 track journey through atmospheric scenes, broken to deep four on floor rhythms and colourful top lines. From the Jazz-funk inspired 'Prayer For Peace' to the infectious Boogie twilight of 'Cadillac’ this is a record that is equally well suited to

ÄTNA immerse crafting organic beats enhanced with delicate effects and an utterly unique kind of voice, channeling vocals and piano into surreal elegies. When you listen closely, the songs they produce are imbued with an incomprehensible magic that defies all conventions, singular in style and execution. They blend art pop, futuristic indietronica, lush rhythms, and glorious vocals. Smile is a metaphor for acceptance, even when it's hard, and knowing that you can't control ev

Aron Ottignon originally composed ‘So Hold Still’ ten years ago on a one-hundred-year-old piano in the suburbs of Paris. At the time, New Zealand-born jazz pianist, composer and producer found himself conflicted over love, location and purpose. Within free-flowing musical figures, he found catharsis in the bittersweetness of good times that have almost passed. Over the following years, he toured with the French art-pop artist WoodKid, co-wrote with the idiosyncratic Belgian s

Paul Frick’s rework of Aggregat’s „C.R.T.“ is most far from the original as you may expect. Frick goes directly towards the minimalism style. Compared to the original four to the floor, hard, but melodious and danceable track with cello, synths and drums, Frick does not use the natural timbre of the original acoustic instruments, but instead replaces them with synth sounds and synthetic drums. Through the kick drum you still realize the typical transparent, funky and

Pockets is the final single to be taken from the critically acclaimed sophomore LP, Colour Box, by Hamburg based quartet, The KBCS. And boy, did they leave the best until last. As usual, this foursome of erstwhile session musicians jammed out what became Pockets with their customary degree of abandon. Consequently, this led to a number of welcome ‘mistakes’ that contribute towards the magic this talented tetrad so often creates. This time, though, the errors were perhaps a l